By Robert L. Kendrick
During this publication, a follow-up to his 1996 monograph Celestial Sirens, Robert Kendrick examines the cultural contexts of song in early-modern Milan. This booklet describes the church buildings and palaces that served as functionality areas in Milan, analyzes the ability constructions within the urban, discusses the devotional rites of the Milanese, and explores the connections between urban politics, city-scape, and music.
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Some of the items for at the present time appear to be linked to the regulars’ church buildings or the ducal chapel, based on the citywide nature of its observance. 129 A seven-voice motet in Stefanini’s ebook, O sacramentum pietatis, appears to be like the ﬁrst atmosphere in Europe of St. Augustine’s passionate linkage of non-public salvation to the physique of Christ during the Eucharist: “O sacrament of piety! O signal of solidarity! O hyperlink of affection! Whoever may dwell right here has where and capacity; allow them to come 142 at t it ude s a nd ac t i o ns and think; allow them to be taken in, so that they should be made alive. permit this member be no longer withered, yet ﬁne and attached and fit; allow or not it's associated with the physique, allow it pass though and from God; now may possibly it hard work in the world, in order that later it might reign in heaven. ”130 The textual content was once abbreviated from a Roman-rite Matins interpreting throughout the Octave (Monday) and had institutions with the ceremonial dinner (as good as with eucharistic devotion in general), as a result of its company language. 131 one other strange mix of scoring and impact is located in G. D. Rognoni’s canzona-motet Quemadmodum desiderat (from his 1605 canzona collection). 132 This large-scale model of the ﬁrst 3 verses of Psalm forty-one, finishing with the word “My tears have been my bread day and evening, once they stated to me: ‘Where is your God? ’ ” would appear an not going candidate for the type of festive treatement implied by means of the style, with its choirs of tools and voices. however the textual content used to be chanted (in Roman ceremony) at Matins, and Rognoni’s environment takes over the sixth-mode project of the mantra. The psalm textual content maintains: “I remembered these items, and poured out my soul, for i'll visit where of the wonderous tabernacle, unto the home of God, with a voice of exultation and compliment, and joyous sound,” a right away connection with the movement and song of the city’s ceremonial dinner. The symbolic use of the Eucharist in rituals of the city’s self-presentation ended in using discussion types in its track. one in all Grancini’s (1624) opened with questions, resulting in a ﬂurry of Corpus Christi hymn tags. 133 different adjoining motets within the related ebook hire the shape, by way of a surroundings of a vintage oratio ante communionem. 134 different eucharistic settings observed renowned rituals reminiscent of the 40 Hours’ Devotion, the ﬁrst eu facts for which dates to 1527 at S. Sepolcro. Carlo Borromeo had prolonged the carrier past the pre-Lenten Sundays and the Chiodo procession to all of the urban parishes in flip, with seen specific awareness to Lent and the penitential adoration of the Sacrament. One Palm Sunday in 1613 observed women and men who arrived on the cathedral bearing pictures of dying, following the normal of the go, greeted on the altar through palchi manage for the Duomo singers making a song a Miserere alternatim with chant supplied through Capuchins. one hundred thirty five one other account of an analogous day provides that the Host used to be raised at the nivola (otherwise used in basic terms within the Chiodo ceremonies), notes that the altar appeared “un gran teatro,” lists the concinnity of misteri (tableaux vivants), photographs, and track, whereas remarking at the neighborhood predilection for motets: “The choirs have been arrange alongside, yet outdoors, the partitions ﬂanking the altar; consistently with first-class harmony, as Milan is wont to supply, they sang motets and laude in honor of God.