By E. H. Gombrich
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Additional resources for Shadows: The Depiction of Cast Shadows in Western Art
Three Campin, Robert 17–18, 19, 29, 38; Plates 28, 29, 38, 39 Canaletto xix, xxi; Plates thirteen, 14, 15, sixteen Caravaggio, Michelangelo Merisi da 20–1, 37, forty-one; Plates 31, forty seven Cartier-Bresson, Henri fifty two; Plate sixty five Chamisso, Adelbert von thirteen Chastel, André 34 Ch’iao Chung-ch’ang sixty one n. three chinese language portray 14 Cicero four Claude forty two; Plate fifty four Collins, William fifty two; Plate sixty four Cornelis Cornelisz. Plate 25 Corot, Jean-Baptiste-Camille forty two; Plate fifty three Crivelli, Carlo forty six; frontispiece, Plate fifty eight Cuyp, Aelbert xi; Plate 1 de Chirico, Giorgio 22; Plate 33 Diana, Benedetto xvi; Plate eight Doort, Abraham van der xv Gauguin, Paul fifty four Gérôme, Jean-Léon fifty four; Plate sixty six Gombrich, Leonie Plate 20 Goya, Francisco de xxiii; Plate 2 Grandville 57–8; Plate 70 Guardi, Francesco 21, 37; Plates 32, forty nine Heraclitus Plate forty three Hogarth, William xiii; Plates three, four Holbein the more youthful, Hans nine, 30; Plates 23, forty-one Hoogstraten, Samuel van fifty six; Plate sixty eight Hunt, William Holman fifty four; Plate sixty seven Impressionists 22, forty two Lavater, J. C. Plate 37 Leonardo da Vinci 14–15, 17, 19, 21; Plate 26 Mahabharata eleven Mantegna, Andrea xv, Plate five Masaccio 17, 38; Plates 27, 50 grasp of the Mornauer Portrait 30; Plate forty Moroni, Giovanni Battista 25; Plate 34 Ortolano xvi; Plates 6, 7 Picasso, Pablo 25–6; Plate 35 Piles, Roger de vi (diagram) Pissarro, Camille forty two; Plate fifty five Plato thirteen, fifty six Pliny the Elder 26 Pontormo forty six; Plates 19, fifty nine Previtali, Andrea xviii; Plates nine, 10 Rembrandt 21, 37, forty-one, forty eight; Plate forty six Rembrandt, follower of forty-one; Plate fifty one Rembrandt, scholar of sixty one Ruisdael, Jacob van Plate sixty two Saenredam, Jan thirteen; Plate 25 Sassetta forty four; Plate fifty seven Sosos of Pergamon Plate forty three Swabian artist 34; Plate forty five Tiepolo, Giovanni Battista 33; Plate forty two Tiepolo, Giovanni Domenico forty-one; Plate fifty two Turner, J. M. W. 10; Plate 24 Veen, Otto van fifty seven; Plate sixty nine Witte, Emanuel de 50; Plate sixty three Wright, Joseph ‘of Derby’ xxiii; Plates 17, 18 Zaganelli, Francesco xix; Plates eleven, 12 photo credit All works reproduced are © the nationwide Gallery, London, except another way credited less than. Plate forty-one: Hans Holbein the more youthful, Christina of Denmark, Duchess of Milan was once provided through The artwork Fund as a result of an nameless donation, 1909. Plate 50: Masaccio, The Virgin and baby was once got with a contribution from The artwork Fund, 1916. Plate fifty seven: Sassetta, The Stigmatisation of Saint Francis used to be acquired with contributions from The paintings Fund, Benjamin Guinness and Lord Bearsted, 1934. Plate 60: Hendrick ter Brugghen, The live performance used to be got with contributions from the nationwide background Memorial Fund, The paintings Fund and The Pilgrim belief, 1983. p. viii: assortment Jésuite des Fontaines Plate 22: Rheinisches Landesmuseum, Trier, Germany Plate 24: The Turner assortment, Tate Gallery, London. picture John Webb Plates 25, forty six: The Trustees of the British Museum, London Plate 26: Codex Ashburnham, a part of ms. A 1490-1492, folio 14. Bibliothèque de l’Institut de France. picture (C) RMN-Grand Palais (Institut de France) / René-Gabriel Ojéda Plate 27: Florence, Brancacci Chapel.