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Additional resources for Grand Opera: The Story of the Met
Eight, 1923 Dec. 2, 2010 Mar. 24, 1920 Dec. 23, 1920 Jan. 15, 1921 Mar. 1, 1921 (Philadelphia), Mar. 7, 1921 (New York) Mar. nine, 1921 Nov. 19, 1921 Jan. five, 1922 Jan. 23, 1922 Mar. four, 1922 Mar. 24, 1922 23 2 2 1 2 1 28 15 2 Feb. 23, 1921 Jan. 31, 1920* three Apr. 22, 1922 Jan. sixteen, 1920 four 1 1 1 1 1 four 2 four three 1 1 178 10 eleven 6 12 three 179 fifty two 209 a hundred thirty five nine 23 Feb. sixteen, 1890, Turin, Regio Jan. 26, 1790, Vienna, Burgtheater Mar. three, 1901, Prague, Neuen Dec. four, 1920, Hamburg and Cologne could 7, 1888, Paris, Opéra-Comique Jan. 29, 1882, St. Petersburg, Mariinsky Mar. eleven, 1867, Paris, Opéra Feb. 2, 1900, Paris, Opéra-Comique Mar. 28, 1896, Milan, los angeles Scala Mar. 29, 1879, Moscow, Maly Nov. 10, 1900, Milan, Lirico Samuel Thewman / Antonio Rovescalli Samuel Thewman / Joseph city Samuel Thewman / Willy Pogany Samuel Thewman / Hans Kautsky Samuel Thewman / Joseph city Samuel Thewman / Boris Anisfeld Samuel Thewman / Joseph city Samuel Thewman / James Fox, Triangle Studio Samuel Thewman / James Fox, Triangle Studio Richard Ordynski / James Fox Richard Ordynski / Norman Bel Geddes Richard Ordynski / Joseph city the non-subscription optimal in 1918 at raised costs, the preliminary two-season run neglected even the box-office suggest. Leoncavallo’s Zazà, which quickly disappeared, did larger. Gatti may produce twenty-four new works among 1922–23 and 1928– 29, all yet (Gaspare Spontini’s l. a. Vestale, Massenet’s Le Roi de Lahore) born within the 20th century. The 1928–29 season on my own registered 4 modernist novelties, clean from their eu réclame. Ottorino Respighi’s fable l. a. Campana sommersa, Ildebrando Pizzetti’s declamatory Fra Gherardo, and Ernst Krenek’s jazz-inflected Jonny spielt auf disenchanted the critics and the general public. So did Die Ägyptische Helena, additional proof, insisted the reviewers, of Richard Strauss’s waning invention. Igor Stravinsky’s Le Rossignol might go back after a chronic absence; it has but to turn out its endurance. Debussy’s Pelléas et Mélisande stumbled on its manner into the repertoire straight away. Leoš Janáček’s Jenufa was once made to attend even longer than the thirty years it took Puccini’s Turandot to damage via. 29 The posthumous Turandot (unfi nished on the composer’s loss of life in November 1924, with the ultimate scene accomplished by means of Franco Alfano) used to be an occasion of nationwide second at its los angeles Scala global superior in April 1926. ahead of achieving the Met in November of that yr, it have been the topic of copious cognizance. Gatti fi lled the degree with stars, comprimarios, choristers, dancers, and supers mentioned to quantity among 600 and 7 hundred. Joseph Urban’s excellent orientalist layout, a top of artwork course less than Gatti, was once only one of his fi toes y or so Met commissions, an oeuvre by no means to be equaled. Jeritza had the heroic higher check in, the air of secrecy, and the fabled great thing about the eponymous chinese language princess. The reports marveled at her imperious demeanour and prodigal tone. For Olin Downes, Lauri-Volpi had the “leather lungs” and “good level presence” (Times) demanded by means of Calaf.