By Michelle Lee
A riveting glance contained in the type global that exposes the reality approximately shopaholics, sweatshops, and superstar closets.
Fashion—from the $1500 Prada bag to the $30 Kate Spade knock-off bought at the sidewalk—has been reworked from a commodity reserved for the elite to a robust presence in mass marketplace tradition. As a society, we're keen about style and elegance, racking up bank card debt to help compulsive procuring conduct, scouring magazines for the newest traits to shop for, and focusing extra on who’s donning what on the Oscars than on who’s successful. In Fashion Victim, award-winning journalist Michelle Lee blows the lid off the style undefined, and spotlights the fascinating—and frequently disturbing--ways during which it truly is morphing our tradition, our economic climate and our values.
Dishing at the lords of the label, together with designers like Donna Karan, Calvin Klein, and Kenneth Cole, Fashion Victim unearths an international that's occasionally gruesome, occasionally glitzy, yet regularly fascinating. From endure hides to the Victorian bustle, Lee strains the position of favor during the a long time, taking us from the sunrise of ready-to-wear in 1865 to the trendy development cycles that incite us to clamor after leg heaters, bumster trousers, and Manolo Blahniks. She information the delivery of “Speed Chic”—the hamster wheel of fashion that retains us caught in an never-ending cycle of intake and has turn into the crack-cocaine of favor, supplying us with a short lived excessive till we spot the following pattern and achieve for our wallets. She additionally explores the phenomenon of “McFashion,” the uncanny proliferation of shops just like the hole and previous army which are creeping into each city in the USA and stripping us—and the designers they knock off--of individuality and innovation. and he or she finally probes the human price of fashion’s decadence, together with the distorted perceptions of attractiveness fueled through high-end designers, the hazards of dry cleansing, and the gruesome monetary disparity among those that make the garments and people who purchase them.
An unparalleled glance in the back of the runway on the forces and personalities using this $200 billion greenback undefined, Fashion Victim is a classy, provocative and hugely unique contribution to the research of yank pop culture.
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Exuberantly written reference offers a kaleidoscopic landscape of garments kinds worn in interval masking the final years of George III to latter a part of Victoria's reign. captivating descriptions and illustrations of such actual clothes as a French courtroom gown (1818), Garibaldi blouse (1861), and night gown (1865).
Additional info for Fashion Victim: Our Love-Hate Relationship with Dressing, Shopping, and the Cost of Style
Editors who flout the skinny-model ordinary run the chance of being solid out. whilst Cyndi Tebbel used to be appointed to the head put up at New girl Australia in 1996, she ushered in an angle of light feminism—not as senseless as traditional women’s-magazine fare, yet no longer radical sufficient to frighten readers both. in the course of her eighteenmonth reign as editor, Tebbel refused to print diets, and as a substitute focused on self-help, courting matters, and profiles of girls who had accomplished greater than simply being photogenic. In 1997, she made up our minds to commit a complete factor to physique photograph and the recognition of bigger sizes, a groundbreaking thought for a woman’s journal on the time. Plussize version Emme seemed at the hide, surrounded by means of the headlines “Why physique photograph is a countrywide obsession,” “Why we’re risking our wellbeing and fitness to be thin,” and “How to like your physique: our conceal lady Emme 141 electronic Composition 135506 Lee_0767910486_4p_01_r1. qxd 12/19/02 9:25 AM web page 142 style sufferer leads the best way. ” whereas deciding upon the coverlines for the difficulty, Tebbel advised the strap “Fat Is again” to the magazine’s ads revenues group. “They have been horrified, and stated that New girl will be often called ‘the fats women’ magazine,’ ” she remembers. “I concept that used to be fairly alarmist, yet toned it all the way down to the massive factor. ” flow figures for the massive factor neither rose nor fell; a heavier version at the conceal didn’t aid, however it didn’t damage. Judging by way of reader mail, despite the fact that, the problem used to be a smashing good fortune. thankful letters poured in. yet cheers weren’t heard throughout. quickly after the difficulty hit newsstands, an immense cosmetics advertiser pulled its enterprise from the journal. Their cause? the large factor didn’t current a really “glamorous photo. ” (Tebbel hasn't ever published the identify of the corporate, simply that it used to be a multinational French company. ) After encountering numerous artistic variations with the publishers, either at once and ultimately regarding the massive factor, Tebbel stepped down. a result of controversy, quite a few women’s teams, radio courses, and television indicates invited her to talk about the problem. New Woman’s publishers and advertisers seemed usually to supply their facet of the tale, which one cosmetics marketer summed up as “Nobody desires to purchase a lipstick being modeled on a huge, fats frumpy woman,” recollects Tebbel. equally, Liz Jones, former editor of British Marie Claire used to be criticized through fellow media figures for turning into too keen about physique photo. Jones, a improving anorexic who had subsisted on fewer than 600 energy consistent with day in her twenties, positioned Sophie Dahl and Pamela Anderson on trade covers of the magazine’s June 2000 factor with the query, “Is this definitely the right physique form? Realistically curvy Sophie Dahl vs. impossibly ideal Pamela Anderson. ” whilst movement figures got here in, they confirmed that Dahl’s conceal offered extra matters. Jones ultimately left Marie Claire, after making a number of belligerent comments in regards to the journal industry’s—and her own—role in inflicting consuming problems.